'About Chocolate', Edinburgh Fringe, Surgeons' Hall

First show tonight went well, with decent-sized, very appreciative audience and we suspect at least one reviewer. Irene was marvellous and her acting had them spellbound. I got choked up at one point, and I know the story inside out (having written it).

Edinburgh's buzzing. Way too many shows these days. You don't know where to start. When I came for the first time 5 years ago with a show at Pleasance Courtyard, it all seemed very different. Pleasance seems dominated by childrens' shows and stand-up this year. The Free Fringe (which concept I totally agree with) is having an effect, but that also tends to focus on stand-up. (Would be happy to do drama in it, but they have a limited amount of venues for plays and tend to insist on the full 3 week run - not that easy for non-students, with bills to pay and a need to keep earning a living.)

Our Surgeons' Hall venue is in its second year and has a great atmosphere. The venue itself is in a modern building, with 4 theatre spaces. Ours is theatre 3, capacity 40, but a super little space for an intimate play like 'About Chocolate'. Our two tech guys, Peter Meese and Paul Beswick, who've come with us, have also found it fine to work in and both have done an excellent job. Charles Pamment, who runs 'thespaceuk' venues, is good to deal with.

Surgeons' Hall adjoins the Royal College of Surgeons on Nicholson Street. Its courtyard is therefore flanked by some interesting, historic buildings - including one where the original bodysnatchers stashed away and disected their snatched bodies! This doesn't seem to have put people off their beer though and the courtyard is one of the best spots to chill out, with bar and cooked food available -without the crush and long queues to be served of the Pleasance Courtyard.

So here's hoping they'll all come and get the chocolate! 5 more nights to go.

BUDS

Attended the Script Yorkshire second BUDS in Bradford on Sat, which had learnt from mistakes of the first in Leeds before Christmas and went much smoother. It was particularly useful to be able to give and get feedback there and then. The stricter timing and frequent breaks helped a lot, and we didn't have any early exodus (last time, the pieces which over-ran seem to have had the effect of making most of the audience run too). Most of all, it was fun. (When it stops being that, I shall stop writing.)

Colin Lewisohn directed an excerpt from my work-in-progress play 'The Black Prince', with Eddie Butler in the title role, Warwick St John as Hugh, my limp lettuce lawyer would-be hero, and Alissa Juvan as the femme fatale of the piece (with Colin as her pimp). It went great and I'm working on it further, with some research to do to help the development.

BUDS brought forth a lot ov variety, from my own favourite talking statue to goon a type radio play, Scarborough vikings and a Vicky Pollard stylee Virgin Mary.
The discussions/feedback were helpful too.

Rain, Rain, don't go away

Went to a rainy but inspiring Authors North, Soc of Authors get-together today in Carlisle. Speakers were John Murray (former editor of the sadly deceased but excellent 'Panurge' and a writer/editor committed only to what is best, not best known or most saleable) and the talented and intriguing writer, Clare Sambrook.

If only we had another 'Panurge'...! (Though I do have several other urges.)

Haworth, Yorkshire

Took New Zealand playwright friend, who is over staying with me, up to Haworth today, as she'd never been to the Bronte Parsonage. It was fairly quiet there (impending world cup factor?), so its charm came through - even down to being served by a dead-ringer for Mrs Overall/Julie Walter's 'Two Soups' rolled into one, in a cafe (just never ask that waitress for a latte, is all I can say). Heading off to the Dales afterwards, I realised how good it is to be based in Yorkshire, where there's no shortage of inspiration around.

And it seems I've won the World Cup sweepstake at work. Better than a kick in the teeth, I suppose (or should it be a kick in a lower zone, judging by some of the fouls around).

You win some...

... Enjoyed working with actors to pitch 'The Black Prince' idea/play for LightNight at Stage@Leeds last Fri, but the prize went to a performance art piece. I still believe in my idea/play though.

My fantasy novel 'The Fixed Lands' was yet again the bridesmaid, being highly commended in the Red Telephone Publishers' competition, and the critique came through. Very useful and heartening that they found a lot right with it, but felt the things that were wrong would be 'fixable' - ironic as the novel in a way concludes there is no 'fixity'.

All busy with 'About Chocolate' for Edinburgh and other projects. We've lost a very good actress, Sal Fulcher, for 'Doublecross' as she's got a film part and been swept off her feet and to France. However, interest from others has already been good, so hopefully we'll get someone else suitable to play our 'closet call-girl'. (If anyone out there feels like donning black stockings and pink marigolds, get in touch with ActONE's director.)

Grassington Festival

Our Edinburgh preview was on at Grassington Festival last night and proved a great, useful pre-Fringe opportunity. And we did a damn sight better than Mr Gerrard and his team!

Irene was superb and we're all systems go for August!

('About Chocolate' 16-21 Aug, 4-5pm, Venue 53, The Space @ Surgeons Hall
Royal College of Surgeons, Nicholson St boxoffice.surgeons@thespaceuk.com £7/£5 www.thespaceuk.com http://sweetdreamsproductions.weebly.com)

In the pursuit of eternal optimism (25th Grassington Octagon plus WYP workshop with Penguin writer and director)

On Sat, I attended one of the best drama-writing workshops I've been to, at West Yorkshire Playhouse, given by Tom Wells writer of 'Me, as a Penguin' and his director Chris Hill. Both very young, very talented and very enthusiastic/supportive. Workshops etc can too easily get clogged up by ego - either that of those leading them or of those attending. This had a great 'we're only here to learn' atmosphere. It was invaluable to be able to put questions to both a writer and director of new writing at the same time on such as presentation, voice, interpretation. It only lasted 2 hours, but I learnt a lot and we also did some useful writing exercises, 'cast' amongst us and read aloud, with feedback given. So good on yer lads!

In the pursuit of eternal optimism, our preview for Edinburgh takes place in Grassington Fringe Festival at Grassington Octagon, Fri pm 18th June 10.30pm £5 (still under the earlier title of ‘Maltesa Falcon’ but is newly-developed version). www.grassington-festival.org.uk/fringe.cfm
Yes, turned out not such good choice of date and Mr Gerrard shall have to excuse us for stealing his viewers!
We're hoping the anti-football lobby will forsake 'girls having their nails done instead' events and come and see us. Another good show on before us, so a more cerebral night out is to be had.