DOUBLECROSS

‎'Doublecross' has gone much better than dared hope this weekend in Leeds. Both nights had good audiences, but last night the actors got into their stride and there was a lot of laughing and clapping - fortunately from the audience.

The hard work put in by the director, Colin Lewisohn, and the actors was clear. . Hard to select best bits, but some I was really pleased with were Richard Dipple's dapper journalist with his slow verbal seduction of dour legal eagle, played by Hayley Briggs (we all knew he'd get her and would keep pressing those buttons until he got the right ones. And boy, has Richard come on as an actor lately, but then he tells me lately he's been working with someone who worked with Alec Guiness); Hayley's mix of vamp and little girl lost as Sam, the rather dubious 'nurse'; Rachelle Vernelle's touchingly desparate vulnerability as would-be mother, Kay, caught between older husband and the Byronic journo; and finally Asadour Guzelian's moving portrayal of unlikely hero, the local councillor, as he copes with both bemusement at a rampant rabbit and the tragic yet hopefully redemptive revelation at the end of the play. For Michael Yates and I, it was great as writers to see our characters coming to life in this way.

We're now into the final push for the performance at Otley Courthouse on Friday. Bit nervous as we've never done this venue before, but prepared to put it down to experience whatever. Please come anyone who can - whether you up for something different drama-wise (or even if you just quite like the odd scantily-clad actress and a plot that involves handcuffs and gimp mask!)

It's a dark comedy drama with a La Ronde structure, based on the premise that life - like drama - is based on lying. There's always a subtext and the real question is whether trust just gets in the way of seeing it. Otley Courthouse Fri 24th 7.30pm tel 01943 467466 www.otleycourthouse.org.uk tickets £9/7 conc.

BUDS

Attended the Script Yorkshire second BUDS in Bradford on Sat, which had learnt from mistakes of the first in Leeds before Christmas and went much smoother. It was particularly useful to be able to give and get feedback there and then. The stricter timing and frequent breaks helped a lot, and we didn't have any early exodus (last time, the pieces which over-ran seem to have had the effect of making most of the audience run too). Most of all, it was fun. (When it stops being that, I shall stop writing.)

Colin Lewisohn directed an excerpt from my work-in-progress play 'The Black Prince', with Eddie Butler in the title role, Warwick St John as Hugh, my limp lettuce lawyer would-be hero, and Alissa Juvan as the femme fatale of the piece (with Colin as her pimp). It went great and I'm working on it further, with some research to do to help the development.

BUDS brought forth a lot ov variety, from my own favourite talking statue to goon a type radio play, Scarborough vikings and a Vicky Pollard stylee Virgin Mary.
The discussions/feedback were helpful too.